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TENIERS, David the Younger The Gallery of Archduke Leopold in Brussels oil painting


The Gallery of Archduke Leopold in Brussels
Painting ID::  9209
TENIERS, David the Younger
The Gallery of Archduke Leopold in Brussels
1641 Oil on canvas, 96 x 128 cm Staatsgalerie, Schleissheim

   
   
     

TENIERS, David the Younger Kitchen Scene sg oil painting


Kitchen Scene sg
Painting ID::  9210
TENIERS, David the Younger
Kitchen Scene sg
1644 Oil on copper, 75 x 77,8 cm Mauritshuis, The Hague

   
   
     

TENIERS, David the Younger The Kitchen t oil painting


The Kitchen t
Painting ID::  9211
TENIERS, David the Younger
The Kitchen t
Oil on canvas The Hermitage, St. Petersburg

   
   
     

TENIERS, David the Younger Twelfth-night (The King Drinks) ar oil painting


Twelfth-night (The King Drinks) ar
Painting ID::  9212
TENIERS, David the Younger
Twelfth-night (The King Drinks) ar
1634-40 Oil on canvas, 58 x 70 cm Museo del Prado, Madrid

   
   
     

TENIERS, David the Younger Before the Inn fy oil painting


Before the Inn fy
Painting ID::  9213
TENIERS, David the Younger
Before the Inn fy
Oil on panel, 37 x 49 cm Koninklijk Museum voor Schone Kunsten, Antwerp

   
   
     

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     TENIERS, David the Younger
     Flemish Baroque Era Painter, 1610-1690 a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonn) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter

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